In discussing the topic of postmodernism today with a colleague we arrived at a conclusion that the main opposition to polygyny in today’s postmodern world—including from Muslims—is rooted in the notion that (a) polygyny is a right that men exclusively enjoy and (b) that men may enjoy that right unabashedly (that is, having legitimate sexual relationships with another woman).
The reason we touched on polygyny, a marital practice very few Muslims enjoin, is because of its “controversial” status in the minds of those who claim Islam to be a misogynistic religion. A claim now held by many Muslims who’ve been infected with postmodern sensibilities and methods of interpretation.
Continue reading “Postmodernism and the Muslim Today”
An excerpt from To Be or Not to Bop, Beboppers… The Cult [pp. 291-3]
Number seven: that “beboppers” expressed a preference for religions other than Christianity may be considered only a half-truth, because most black musicians, including those from the bebop era, received their initial exposure and influence in music through the black church. And it remained with them throughout their lives. For social and religious reasons, a large number of modern jazz musicians did begin to turn toward Islam during the forties, a movement completely in line with the idea of freedom of religion.
Rudy Powell, from Edgar Hayes’s band, became one of the first jazz musicians I knew to accept Islam; he became an Ahmidyah Muslim. Other musicians followed, it seemed to me, for social rather than religious reasons, if you can separate the two.
“Man, if you join the Muslim faith, you ain’t colored no more, you’ll be white,” they’d say. “You get a new name and you don’t have to be a nigger no more.” So everybody started joining because they considered it a big advantage not to be black during the time of segregation. I thought of joining, but it occurred to me that a lot of them spooks were simply trying to be anything other than a spook at that time. They had no idea of black consciousness; all they were trying to do was escape the stigma of being “colored.” When these cats found out that Idrees Sulieman, who joined the Muslim faith about that time, could go into these white restaurants and bring out sandwiches to the other guys because he wasn’t colored — and he looked like the inside of the chimney — they started enrolling in droves. Continue reading “To Be Or Not To Bop”