Mooz-Lum: Thoughts and Reflections on an American Muslim Movie

The new movie by young film maker, Qasim Basir – Mooz-lum – has been causing quite a stir in both Muslim and non-Muslim circles. Much of this inter-Muslim dialog I have observed online (Facebook for example) has waxed axiomatic around such platitudes as authenticity and morality to whether there should be a sequel to Mooz-lum, where the main character returns to complete his memorization of the Qur’an. As much as Mooz-lum is a signifier of the maturation process taking place within the Muslim community, some of the commentary surrounding it still illustrates how far Muslims have to go. Therefore, this short piece will be as much a review of the review of Mooz-lum, as it is a film review of the movie itself.

I should make it clear that I am familiar with the film maker. We both hail from the same part of Michigan (or thereabouts) and thus, when I discovered a few years ago that Qasim was making this film, I was excited and happy on many levels. In my time teaching at Muslim schools in Michigan, I encountered several Muslim children that were very similar to Tariq’s dilemma (the film’s main character). I was approached on more than one occasion by a Muslim parent instructing me to make their son or daughter a hāfiẓ of Qur’an. Some children came from households where only one parent was Muslim, others from families who “wanted the best” for their children, an Islamic education. Continue reading “Mooz-Lum: Thoughts and Reflections on an American Muslim Movie”

Nafs Ammarah

As a Muslim living in a non-Muslim country, I am always on the lookout for things in popular culture from which I might derive a reminder [dhikr ذكر] of Islam, of Reality, and perhaps of the Life To Come. I have found this to be an increasingly important exercise, both for me personally, as well as for the students of classes I teach on Islamic studies. What I mean here is not attempting to ascribe any certain thing with a level of “Islamicity” or Muslim’ness that is not there, but rather, looking at stories and narratives that remind me of that which Allah has written in His Book. One such instance happened yesterday.

The words nafs ammarah, or the commanding self, are found in the Qur’an, in surah Yusuf [Joseph], in which Allah says:

وما أبرئ نفسي إن النفس لأمارة بالسوء إلا ما رحم ربي إن ربي غفور رحيم

“And nor was I [Joseph] completely free of blame. The self commands to evil acts, save that which my Lord has mercy upon me. Surely, my Lord is Forgiving, Merciful.” [Q 12: 53]

This passage in the Qur’ān on the nafs ammārah relates to us part of the story of Prophet Yusuf [Joseph], and his test when the king’s wife attempted to seduce him.  Yusuf relates that the temptation was there, that his soul wished to entice him to evils deeds.  It was only through God’s mercy and grace that he was able to resist.

The above passage came to me as I recently chanced upon a film I watched as a kid entitled, They Live!, by John Carpenter. In summary, the film is about a man, a drifter, who by happenstance, stumbles upon the stunning reality that the human race has been subdued by a group of space aliens that have enslaved humans through advanced subliminal techniques. When the main character dons a pair of special sunglasses, he is able to see the Unseen: billboards are really devices that command humans to consume, have sex, or to obey, as well as being able to see the aliens for who they really are [ghoulish, lizard like beings]. Even money, when viewed through the sunglasses, have the words “this is your god” written on them. To be sure, the movie is quite comical and the dialog stiff. Nonetheless, I found it to be an intriguing visual example of how the nafs ammārah works. And while the nafs is an internal phenomenon, it still commands us to act upon things in the external world, making the film a worthwhile glance at a Qur’ānic principle on human psychology.

They Live! is based on the short story, Eight O’clock In The Morning, by renowned science-fiction author, Ray Nelson. I have posted the short story here as well as a link to the film They Live! for your B-movie enjoyment.

Note: if you have the opportunity to see Dr. Sherman Jackson speak, ask him to relate to you how Terminator 2 moved him to tears, as it reminded him of how the Prophet [s] had to deliver a message, one in which many people refused to believe him because they could not see what he saw, similar in the way no one believe Sarah Connor. A worthwhile treat!

Note 2: The last part of the movie features some nudity and may be avoided. You’ll get the gist of it by then and can skip the final scene.

Note 3: See this piece on Salon.com about Jonathen Lethem’s film analysis of Carpenter’s film, They Live, A Novel Approach to Cinema. Hat tip to Stephen for the link.

Note 4: A khutbah that pertains to similar aspects of the soul.

First Image From AME On Display At UPenn Design Staff/Faculty Show

I will be submitting one of the images from my new project, AME [The American Muslim Experience] at the University of Pennsylvania’s School of Design Staff art show. The image is one of Shaykh Hajj Musa, a long standing resident of the Philadelphia Muslim community. The print is a large-format ink jet print [54 inches by 36 inches] – you can see the image as well as the print one coming off the plotter below. I will inform you of any additional shows. Prints will be on display at the School of Design starting Monday, July 23rd [34 & Walnut, Philadelphia]. The show is a short one so if you happen to stop by in the next week or so it along with the other staff/faculty images should be up. Below is a preview of the image as well as the print coming off the large-format plotter. Enjoy.

Update!

The PennDesign Staff Art Show official details:
July 23rd through August 1st, the Reception is Friday, July 27, at 5pm. Hope to see you there. If you need directions just leave a comment here and I’ll get back to you.

Update!

Many thanks for those who took time to come. It was a pleasure to get a chance to show the first image of the series. Following photographs © 2007 Jerry Brown.